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Netflix unveils a stack of projects from Kick-Ass and Kingsman creator Mark Millar

by Eric Frederiksen | July 17, 2018July 17, 2018 5:30 pm PST

Mark Millar is one of the biggest names in comics – and one of the busiest. The creator of comics-turned-movies like Kick-Ass and Kingsman and one of the minds behind Marvel’s mid-2000s revival of the Avengers comics and the “Civil War” storyline that would turn into Captain America: Civil War, and he went on to sell his Millarworld company to Netflix last year. Now, Millar and Netflix have announced that a whole bunch of projects are on the way as comics, movies, and TV shows.

Mark and Lucy Millar’s The Magic Order is already on comic shelves, and the team has two series and three films on the way.

The shows include:

Jupiter’s Legacy: “A multi-generational American superhero epic, Jupiter’s Legacy follows the world’s first generation of superheroes who received their powers in the 1930’s. In present day they are the revered elder guard, but their superpowered children struggle to live up to the legendary feats of their parents. Steven S. DeKnight (Marvel’s Daredevil, Spartacus, Buffy the Vampire Slayer), who recently signed an overall deal with Netflix, will serve as showrunner and executive producer, with Lorenzo di Bonaventura and Dan McDermott also serving as executive producers for the series. DeKnight will also direct the first episode.”

American Jesus: The “Multilingual (Spanish/English) series American Jesus follows a twelve-year-old boy who suddenly discovers he’s returned as Jesus Christ. He can turn water into wine, make the crippled walk, and, perhaps, even raise the dead! How will he deal with the destiny to lead the world in a conflict thousands of years in the making? Everardo Gout (Marvel’s Luke Cage, Sacred Lies, Mars, Banshee, Aqui En La Tierra) and Leopoldo Gout (Molly’s Game, Instinct) will serve as co-showrunners and executive producers on the series. Everardo Gout will also direct.”

Jump past the cut for the movies and a statement from Mark Millar himself via Netflix.

On the movie side, we have:

Empress: “Queen Emporia is married to (literally) the worst dictator in the galaxy, King Morax. After escaping his palace with her children, Emporia and her family, must hide from Morax and his army at all costs — even if it takes teleporting from planet to planet to avoid them. Writer Lindsey Beer (Kingkiller Chronicle and the upcoming Sierra Burgess is a Loser for Netflix and Wizards of Once for DreamWorks Animation) is adapting the comic book into a feature film, with Joe Roth and Jeff Kirschenbaum (The Voyage of Doctor Dolittle, Maleficent) set to produce.”

Huck: In a quiet seaside town, Huck uses his special gifts to do a good deed each day. His neighbors return the favors by keeping his abilities a secret. But when a newcomer alerts the media, a firestorm erupts, sending Huck on an adventure that will change everything. Ted Melfi (Hidden Figures, St. Vincent) is adapting the comic book into a feature film, with Neal H. Moritz and Toby Jaffe set to produce.

Sharkey The Bounty Hunter: Set in a brilliant new sci-fi universe, Sharkey is a blue-collar bounty-hunter tracking criminals across the galaxy in his converted, rocket-powered ice-cream truck. Aided and abetted by his ten-year-old partner, he’s out for the biggest bounty of his career. Sharkey the Bounty Hunter will be adapted and published as a Millarworld/Netflix comic next year and writer Michael Bacall (Scott Pilgrim vs. the World, 21 Jump Street) is writing the screenplay for the feature film.

Millar has seen a ton of his work come to the big screen for rather big productions, with both Kick-Ass and Kingsman being successful enough to garner sequels. Even so, he says he’s more excited than ever about his partnership with Netflix:

My wife Lucy and I are eleven months into our jobs at Netflix and it’s everything we hoped for to the power of ten. To see a movie based on your work every couple of years is incredibly exciting, but to see them all happening at once like this and with talent this high-end is just off the scale. These are writers and directors I’ve privately been sending fan-mail to over the last eighteen months so to be working with them all is just enormously exciting. This really is the greatest creative environment I’ve ever worked in. I can’t wait to switch on my computer every morning.

Millar’s The Magic Order comic book is on shelves now through Netflix, and I’d expect to see these shows start hitting in 2019 and 2020. More Millar-penned projects are supposedly in the works, with this batch just being the start.


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